• 시/에세이/기행 > 시 > 한국현대시

출판사 리뷰

추천사 \"Choi Young-Mi's poems are un-compromising and threatening to conventional values of Korean society. Her style is her independence. Her poetry is very much a lived poetry. __James Kimbrell “Choi Young-Mi's steely, restless, passionate investigation of love and politics bursts from the page with a wonderful fresh recklessness.” __Chase Twichell Reviews “A clear language full of polysemy (다의성이 풍부한 명석한 언어)” _ The Asahi Shimbun (아사히 신문) “Choi Young-mi wrote the poem in Korean, her native tongue. It is a language that tends first to cool its emotions, then to assimilate them; unruly drama and dialogue, in their retelling, take on the muted affect of melancholy.” _ Bo Seo, the Paris Review “Choi’s poetry sharply stabs the Korean society’s hypocrisy, fallacy and complacency and once again as the conscience of the generation she provides the raison d'?tre for poets. 최영미 시집은 한국사회의 위선과 허위, 안일의 급소를 예리하게 찌르며 다시 한번 시대의 양심으로서 시인의 존재이유를 구현한다. _ Jongho Yu, THE ISU LITERARY AWARD, Judge's Citation (유종호 교수, 이수문학상 심사평에서) “Her sincerity in writing poems and elaborative language stand out.” _ Kyungrim Shin, Poet

Ⅰ
Already
At Thirty, The Party Was Over
Monster
At the Fruit Stand
Song of March
Old
The Aftertaste is not bitter
My 50s
Novel, Postscript

Ⅱ
To the Pigs
In Sun-woon Temple
11 o’clock Sunday Morning
In the Subway 4
In the Subway 5
In the Subway: Yellow October
Seoul, June 2008

Ⅲ
Weather Forecasts
On My Way to the Department Store
Dreams of Four Seasons
At Home All Day
The Easiest Path
Under the Name of Woman
Irony
Folding Towels
About Myself

Acknowledgments
Notes
The Author
The Translators