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머리말·························································· 5
I 고대 게르만문화의 편린들(Bruchst?cke der alten germanischen Kultur)
1. 타키투스의 『게르마니아』· ······································· 19
2. 게르만문학의 편린들· ·········································· 21
3. 라틴어로 쓰여진 문학··········································· 29
II 중세 독일문학(Literatur des Mittelalters, 750-1500)
1.역사적 배경· ·················································· 35
2. 황제와 교황의 갈등············································ 36
3. 십자군 원정· ················································· 38
4. 슈타우펜 왕조와 황제권의 실추· ·································· 39
5. 기사계급의 문학··············································· 41
6. 중세연가····················································· 45
7. 격언시······················································ 49
8. 기사계급의 덕성체계· ·········································· 55
9. 시인 발터 폰 데어 포겔바이데· ··································· 59
10. 궁정서사시· ················································· 62
11. 영웅서사시· ················································· 71
12. 기사문학의 몰락·············································· 76
13. 에크하르트의 신비주의········································ 79
14. 중세 후기의 문학· ············································ 82
15. 오늘날 왜, 그리고 무엇을 위한 중세 독일문학인가?(중세 독일문학에 대한 특별인터뷰) ···················· 84
III 인문주의와 종교개혁(Humanismus und Reformation, 1500-1600)
1. 르네상스와 인문주의· ·········································· 99
2. 종교개혁···················································· 101
3. 범유럽적 인문학자 에라스무스·································· 106
4. 민중본 『파우스트』· ··········································· 109
IV 바로크 시대의 독일문학(Barock, 1600-1720)
1. ‘바로크’의 의미 ·············································· 115
2. 30년 전쟁· ·················································· 116
3. 바로크 문학의 3대 주요 모티프· ································· 118
4. 우의화(寓意畵)· ··············································· 119
5. 계기문학 · ·················································· 120
6. 문학연구의 선구자 마르틴 오피츠· ······························· 121
7. 언어협회를 통한 독일어의 정화 및 순화 운동· ······················ 123
8. 예수회 드라마··············································· 124
9. 그뤼피우스의 비극· ··········································· 125
10. 악한소설··················································· 129
11. 신비주의··················································· 136
V 계몽주의(Aufkl?rung, 1720-1785)
1. 계몽주의의 철학적 배경········································ 141
2. 계몽적 군주· ················································ 144
3. 로코코 문학과 아나크레온파 시인들· ····························· 145
4. 고췌트의 문학이론· ··········································· 147
5. ‘경이로움’의 옹호자들········································· 149
6. 독일 시민계급의 분투·········································· 150
7. 경건주의와 감상주의 · ········································ 152
8. 겔러트의 소설··············································· 155
9. 위대한 시인 클롭슈톡·········································· 159
10. 계몽주의 시대의 정치시· ······································ 162
11. 레싱의 업적················································ 166
12. 빌란트의 소설··············································· 174
VI 폭풍우와 돌진(Sturm und Drang, 1767-1785)
1. 번역문제와 시대 구분·········································· 179
2. ‘자유’의 깃발 아래에 모인 젊은이들· ······························ 182
3. 하만과 헤르더··············································· 187
4. ‘폭풍우적 돌진자들’의 드라마··································· 192
5. 청년 괴테의 시· ·············································· 195
6. 혁신적 드라마 『괴츠 폰 베를리힝엔』· ····························· 200
7. 유럽 시민계급의 심금을 울린 편지소설· ··························· 202
『젊은 베르터의 고뇌』에 대하여(초빙집필: 임홍배, 서울대)·205
8. 절대주의에 들이댄 비수(匕首)· ··································· 210
VII 바이마르 고전주의(Weimarer Klassik, 1786-1805)
1. 고전주의란 무엇인가?· ········································ 217
2. 괴테 · ······················································ 219
3. 이탈리아 여행과 빈켈만의 『고대미술사』· ························